#Trinity matrix code
#Trinity matrix Pc

Not long after the moment of embrace, a Young Morpheus tells Neo, “The only thing that matters to you is still here, that’s why you’re still fighting, and why you will never give up.” That “thing” is, obviously, Trinity, while the “here” could very well be the Matrix. This is but one of many pieces of odd imagery that surrounds Trinity throughout the trailer.

#Trinity matrix code

My early working theory is that the Machines plugged Neo into a separate Matrix in order to keep him siloed from humanity, therefore rendering him incapable of being their savior, with the plot revolving around mankind breaking into this new Matrix in order to get Neo out of it.īased on the trailer, Neo’s love for Trinity appears to be the MacGuffin that puts him back on the path to awakening, but the Trinity we see not only has classic Matrix code running down her face but seems to be frozen in time. So are far as The One goes, the options for his return were at least laid bare at the conclusion of the original trilogy. That said, The Matrix Revolutions did leave the door open for a return, as the final scene features the Oracle - now living in a rebooted Matrix - revealing that she thinks they will see Neo again. Following his triumphant victory inside the Matrix, Neo - apparently succumbing to his injuries from the earlier crash that killed Trinity - is carried away by the Machines. Neo succeeds and Smith is destroyed, freeing both humanity and the Machines from the program. In case you need a little refresher, Neo and Trinity travel to Machine City to make a peace offering with the Machines as the Smith program threatens to destroy both the Matrix and the real world: Neo will stop Smith in exchange for the Machines leaving Zion alone. As the film's true protagonist, she remains the stand-alone heroine for the Y2K look - and her style, with good reason, is relentlessly copied.One key question the trailer - and the title of the film itself, for the matter - raises is how its two titular characters, Keanu Reeves’ Neo and Carrie-Anne Moss’ Trinity, are even alive following the events of The Matrix Revolutions. It's impossible to disentangle Trinity and her appearance from any of the above. Then, you've got Rihanna's Morpheus-style sunglasses for Dior, and The Met Ball's timely 2016 theme, Manus x Machina: Fashion in an Age of Technology. The brand is the ultimate people's revolt (supposedly), with its long leather jackets, unassuming sports apparel, and models that all look like extras from The Matrix - with sunken eyes, shaved heads, clothes dripping off limbs, heavy platformed boots, slashed T-shirts, and leather trousers. In the past few years, we've been introduced to the style subculture of 'health goths,' and to the fashion house Vetements. (Talking of 2001, the year Final Fantasy: The Spirits Within launched, this January saw Nicolas Ghesquière at Louis Vuitton cast the game's virtual heroine, the sorbet-haired Lightning, as the brand's campaign girl.)

#Trinity matrix Pc

Take London's PC Music, and the genre's stars, such as Hannah Diamond, whose sound seems crafted on a Yamaha keyboard, and who herself looks as if she's been freshly unpackaged from a Mattel box and dressed like a school kid from 2001. Aesthetically, kids now (and then) are taking a similar look at how human life and technology are conflating into one human experience, and that's evident in the art they're producing. So, why are we looking to The Matrix - particularly Trinity, its fearless female heroine - now? There are, of course, some reasons that don't just fall on the tired maxim of fashion being cyclical: Isn't the bug creeping and crawling around under Neo's stomach the same as the mobile technology we grip in our hands each day? The laptops we sit facing from sunrise to nightfall? Aren't we all trying to yank that plug out of the backs of our skulls? We are, according to mainstream media, a subculture-less generation bereft of identity, reduced to selfie-takers with no hope of financial solvency. Where had we seen this before? Post-show, Galliano told Vogue that he was “deeply inspired by The Matrix.' Futuristic boots were laced thigh-high and black makeup was smeared across eyelids. A runway made from water-pillows was trodden down by cyber-goths in PVC, floor-length coats, skirts, and gloves. Then came John Galliano's seminal Dior Haute Couture show presented at Versailles in 1999. We were happily making ourselves look like the robots of the future: modern, sleek, androgynous, and metallic. We temporarily tattooed our necks with elastic chokers, and platforms were a must. In fashion, we embraced leather trousers and mesh white shirts.